talent_agency.qsrc 42 KB

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  1. # talent_agency
  2. if $ARGS[0] = 'start':
  3. cls
  4. minut += 5
  5. $menu_loc = 'talent_agency'
  6. $menu_arg = 'start'
  7. menu_off = 0
  8. gs 'stat'
  9. gs 'themes', 'indoors'
  10. '<center><b><font color="maroon">Aurora Talent Agency</font></b></center>'
  11. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/front.jpg"></center>'
  12. '"Hello, welcome to the Aurora Female Talent Agency! How may I help you?"'
  13. if casting = 3 and hour <= 11 and SMTV_commercial = daystart:
  14. '"Oh? Are you here for the SMTV commercial? Please go to interview room 3, they''re waiting for you inside.'
  15. room = 3
  16. elseif casting = 3 and ((hour > 11 and SMTV_commercial = daystart) or SMTV_commercial < daystart):
  17. '"You''re here for the SMTV commercial? Sorry, you''re late and you''ve just cost the production tons of money. You''ve been fired. First rule of showbiz honey: show up on time.'
  18. casting = 0
  19. end
  20. act 'Leave':gt'down'
  21. !! if casting = 1:
  22. !! act 'View available jobs': gt 'talent_agency', 'jobs'
  23. !! end
  24. !!act 'Ask about auditions':
  25. act 'Go to the interview rooms':gt'talent_agency', 'hallway'
  26. end
  27. if $ARGS[0] = 'jobs':
  28. *clr
  29. cla
  30. !! IMAGE GOES HERE
  31. !! 'The jobs are displayed on a bulletin board'
  32. !! The mid function is used to identify a single digit, don''t use 1,1 as that is there just to ensure the numbers all generate
  33. !! if mid(acting_string1,2,2) > 4:
  34. !! act 'JOB TITLE HERE':
  35. !! SET CODE FOR JOB HERE
  36. !! DETAILS HERE
  37. !! act 'Return': gt'talent_agency', 'start'
  38. !! end
  39. !! end
  40. !! if mid(foto_string1,3,3) > 4:
  41. !! act 'JOB TITLE HERE':
  42. !! SET CODE FOR JOB HERE
  43. !! DETAILS HERE
  44. !! act 'Return': gt'talent_agency', 'start'
  45. !! end
  46. !! end
  47. end
  48. if $ARGS[0] = 'hallway':
  49. *clr
  50. cla
  51. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/hallway.jpg"></center>'
  52. act 'Leave':gt 'talent_agency','start'
  53. act 'Room 1':gt 'talent_agency','room1'
  54. act 'Room 2':gt 'talent_agency','room2'
  55. act 'Room 3':gt 'talent_agency','room3'
  56. act 'Room 4':gt 'talent_agency','room4'
  57. act 'Room 5':gt 'talent_agency','room5'
  58. end
  59. if $ARGS[0] = 'room1':
  60. *clr
  61. cla
  62. if room ! 1: gt'talent_agency','wrong_room'
  63. end
  64. if $ARGS[0] = 'room2':
  65. *clr
  66. cla
  67. if room ! 2:gt'talent_agency','wrong_room'
  68. end
  69. if $ARGS[0] = 'room3':
  70. *clr
  71. cla
  72. if room ! 3: gt'talent_agency','wrong_room'
  73. if casting = 3: gt'talent_agency','SMTV'
  74. end
  75. if $ARGS[0] = 'room4':
  76. *clr
  77. cla
  78. if room ! 4:gt'talent_agency','wrong_room'
  79. end
  80. if $ARGS[0] = 'room5':
  81. *clr
  82. cla
  83. if room ! 5:gt'talent_agency','wrong_room'
  84. end
  85. if $ARGS[0] = 'end':
  86. money += actpayfin
  87. gt 'talent_agency','start'
  88. end
  89. if $ARGS[0] = 'SMTV':
  90. *clr
  91. cla
  92. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/room.jpg"></center>'
  93. 'You enter the interview room and someone is there waiting for you.'
  94. '"Ahh! Hello! You must be Miss <<$pcs_lastname>>. I''m Artur Yanovich. But you can call me Mr. Yanovich," he says, holding out his hand.'
  95. act 'Shake his hand':
  96. cla
  97. 'You shake his hand and smile. "I was told that I was supposed to come here to get ready for the shoot today?"'
  98. '"Yes that''s right," he says. "Normally we would use one of the film sets in the industrial area but for this kind of thing, we need more of a crowd so we''re doing it in the city center."'
  99. 'You nod understandingly.'
  100. '"Alright, time for you to undress."'
  101. act '"Wait, what?"':
  102. *clr
  103. cla
  104. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/room.jpg"></center>'
  105. 'He frowns, seemingly puzzled. "I thought you were told what this shoot is about. You need to get naked. Unless you wanted to do it in the street?"'
  106. act'"Oh... Right..."':
  107. minut += 5
  108. *clr
  109. cla
  110. gs 'clothing', 'strip'
  111. gs 'underwear', 'remove'
  112. '<center><video autoplay loop src="images/locations/city/citycenter/photo/fullstrip.mp4"></video></center>'
  113. if pcs_inhib < 50:
  114. 'Mr. Yanovich makes no move to leave the room as you shyly take off all your clothes and awkwardly stand naked before him.'
  115. 'He stares appreciatively at your nude body.'
  116. if prcptn_lvl >= 30:'A hard bulge starts to form in the crotch of his trousers.'
  117. *nl
  118. '"You have a beautiful body Miss <<$pcs_lastname>>..."'
  119. '"Uhm... ah... Thank you Mr. Yanovich..." you stammer.'
  120. '"Right then, let''s go!"'
  121. act '"Wait! What are you-!"':
  122. *clr
  123. cla
  124. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/front.jpg"></center>'
  125. 'He suddenly grabs you by the arm and leads you out of the room, leaving your clothes behind. He walks you straight through the populated lobby of the talent agency. You do your best to cover your face in embarassment but it''s hard with only one hand and you blush furiously as Mr. Yanovich pulls you right out the front door and into the back seat of a car.'
  126. 'Once inside the car, he gets on a radio and says, "Alright, we''ve got Miss <<$pcs_lastname>> here, naked and ready in the car. Let''s move out."'
  127. act'"Move out?"':
  128. minut += 30
  129. *clr
  130. cla
  131. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/down.jpg"></center>'
  132. '"Move out?" you ask, trying to stay away from the windows as much as possible. "Where are we going?"'
  133. 'Mr. Yanovich starts the car and says to you, "This is not an ideal location to shoot. We have a particular street in mind so we''re going to go there."'
  134. act'Continue':
  135. minut += 45
  136. *clr
  137. cla
  138. '<center><img <<$set_imgh>> src="images/locations/city/island/island.jpg"></center>'
  139. 'After some driving, they park on a side street and you see the camera crew get out of a van behind your car and begin to set up.'
  140. *nl
  141. 'Mr. Yanovich stays in the car with you and very professionally and efficiently directs you on where the cameras will be, what pace you should walk at, where you should look, and when. His professional demeanor is actually quite calming to you, helping you to settle down and get ready for what''s about to come next.'
  142. *nl
  143. '"Alright <<$pcs_lastname>>. It''s time."'
  144. 'Your heart starts to pound inside your chest as nervousness takes hold again. You''re going to have to walk down the street naked after all!'
  145. act'Do it':
  146. minut += 1
  147. *clr
  148. cla
  149. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts1.mp4"></video></center>'
  150. 'With a deep breath, you open the car door and step out. Gusts of wind blow, chilling your naked body. An aid quickly directs you to the marked spot, shuts the car door, and rushes to get out of frame.'
  151. *nl
  152. 'The camera is directly in front of you. You focus with all your might, concentrating on getting it right in one go.'
  153. '<i>Whew... Just like normal modelling. No different. Calm... Calm... You can do this...</i>'
  154. act'Action!':
  155. *clr
  156. cla
  157. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts2.mp4"></video></center>'
  158. 'Mr. Yanovich points at you and says "Action!"'
  159. 'You start to stride forward and the cameraman moves backwards in sync. People turn their heads at you and staring at your nudity as you step past.'
  160. 'Just in time, you remember to glance at the secondary camera parked across the street like it says in the script.'
  161. 'It seems to take forever to walk down this short road but you can do nothing except try your best to maintain composure.'
  162. act'Cut!':
  163. *clr
  164. cla
  165. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts3.mp4"></video></center>'
  166. 'At last, you''ve taken the final step and made it past the checkpoint. Another aid is there and you gratefully rush into the gloriously warm blanket she holds and wraps your naked body in it.'
  167. 'Mr. Yanovich and others are huddled around a monitor, examining the footage.'
  168. '"Amazing!" he exclaims. "A true one-take-wonder! Excellent work here Miss <<$pcs_lastname>>! Excellent work! That''s all we need from you today, we''ll take you back to Aurora and you can get changed back into your clothes.'
  169. act'...':
  170. minut += 30
  171. *clr
  172. cla
  173. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/front.jpg"></center>'
  174. 'You get in the car and head back to Aurora. When you get there, Mr. Yanovich leads you back through the doors and into the same interview room you met him in. On the way there, you don''t feel as embarrassed as you did before. In fact, you feel quite confident and strong. You just walked down a busy street completely nude! You should be proud of yourself! What''s walking through a lobby with other actresses?'
  175. act'Dress':
  176. minut += 5
  177. *clr
  178. cla
  179. gs 'underwear', 'wear'
  180. gs 'stat'
  181. '<center><video autoplay loop src="images/locations/city/citycenter/photo/dress.mp4"></video></center>'
  182. gs 'clothing', 'wear_last_worn'
  183. actpayfin = ((4000 + (pcs_mdlng * 25) + (pcs_apprnc * 2) + (pcs_exhibtion * 3)) * 3)
  184. 'You change back into your clothes while Mr. Yanovich does something at the desk.'
  185. 'Just before you finish dressing, Mr. Yanovich says, "It was a pleasure working with you Miss <<$pcs_lastname>>. I hope I get another chance to do it again in the future!" He smiles warmly and leaves the room.'
  186. *nl
  187. 'Looking over at the desk, you see a wad of cash laying there. You rush over and when you finish counting, you realize that it''s <<actpayfin>> <b>₽</b>!'
  188. '<i>Holy crap! Acting is some serious money!</i>'
  189. inhib_exp += 20
  190. casting = 1
  191. room = 0
  192. act'Leave':gt'talent_agency','end'
  193. end
  194. end
  195. end
  196. end
  197. end
  198. end
  199. end
  200. end
  201. else
  202. 'You confidently strip down in front of Mr. Yanovich, not bothered in the slightest by his presence.'
  203. 'He stares appreciatively at your nude body.'
  204. if prcptn_lvl >= 30:'A hard bulge starts to form in the crotch of his trousers.'
  205. *nl
  206. '"You have a beautiful body Miss <<$pcs_lastname>>..."'
  207. '"Thank you very much Mr. Yanovich," you say unabashedly.'
  208. '"Right then, let''s go!"'
  209. act '"Leave"':
  210. *clr
  211. cla
  212. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/front.jpg"></center>'
  213. 'He opens the door and you follow him back through the lobby, leaving your clothes behind in the interview room. A few people whisper and glance at you as you walk past, but you don''t mind too much. Mr. Yanovich leads you right out the front door and into the back seat of a car.'
  214. 'Once inside the car, he gets on a radio and says, "Alright, we''ve got Miss <<$pcs_lastname>> here, naked and ready in the car. Let''s move out."'
  215. act'"Move out?"':
  216. minut += 30
  217. *clr
  218. cla
  219. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/down.jpg"></center>'
  220. '"Move out?" you ask. "Where are we going?"'
  221. 'Mr. Yanovich starts the car and says to you, "This is not an ideal location to shoot. We have a particular street in mind so we''re going to go there."'
  222. act'Continue':
  223. minut += 45
  224. *clr
  225. cla
  226. '<center><img <<$set_imgh>> src="images/locations/city/island/island.jpg"></center>'
  227. 'After some driving, they park on a side street and you see the camera crew get out of a van behind your car and begin to set up.'
  228. *nl
  229. 'Mr. Yanovich stays in the car with you and very professionally and efficiently directs you on where the cameras will be, what pace you should walk at, where you should look, and when. You listen diligently and get ready for what''s about to come next.'
  230. *nl
  231. '"Alright <<$pcs_lastname>>. It''s time."'
  232. act'Do it':
  233. minut += 1
  234. *clr
  235. cla
  236. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts1.mp4"></video></center>'
  237. 'With a deep breath, you open the car door and calmly step out. Gusts of wind blow, chilling your naked body. An aid quickly directs you to the marked spot, shuts the car door, and rushes to get out of frame.'
  238. *nl
  239. 'The camera is directly in front of you. You focus with all your might, concentrating on getting it right in one go.'
  240. '<i>Calm... Professional... Do this right and your actress career is going to take off!</i>'
  241. act'Action!':
  242. *clr
  243. cla
  244. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts2.mp4"></video></center>'
  245. 'Mr. Yanovich points at you and says "Action!"'
  246. 'You start to stride forward and the cameraman moves backwards in sync. People turn their heads at you and staring at your nudity as you step past.'
  247. 'You glance at the secondary camera parked across the street like you were directed to.'
  248. 'The walk itself doesn''t feel very long. You''re very confident in yourself and your body and this type of thing isn''t anything you haven''t done before so you aren''t particularly bothered by the glances and stares.'
  249. act'Cut!':
  250. *clr
  251. cla
  252. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts3.mp4"></video></center>'
  253. 'At last, you''ve taken the final step and made it past the checkpoint. Another aid is there and you step into the gloriously warm blanket she holds and wraps your naked body in it.'
  254. 'Mr. Yanovich and others are huddled around a monitor, examining the footage.'
  255. '"Amazing!" he exclaims. "A true one-take-wonder! Excellent work here Miss <<$pcs_lastname>>! Excellent work! That''s all we need from you today, we''ll take you back to Aurora and you can get changed back into your clothes."'
  256. act'...':
  257. minut += 30
  258. *clr
  259. cla
  260. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/front.jpg"></center>'
  261. 'You get in the car and head back to Aurora. When you get there, Mr. Yanovich leads you back through the doors and into the same interview room you met him in. You feel quite proud of yourself, having done the shoot in a single take. Maybe you''re cut out to be an actress after all!'
  262. act'Dress':
  263. minut += 5
  264. *clr
  265. cla
  266. gs 'underwear', 'wear'
  267. gs 'stat'
  268. '<center><video autoplay loop src="images/locations/city/citycenter/photo/dress.mp4"></video></center>'
  269. gs 'clothing', 'wear_last_worn'
  270. actpayfin = (4000 + (pcs_mdlng * 25) + (pcs_apprnc * 2) + (pcs_exhibtion * 5)) * 3
  271. 'You change back into your clothes while Mr. Yanovich does something at the desk.'
  272. 'Just before you finish dressing, Mr. Yanovich says, "It was a pleasure working with you Miss <<$pcs_lastname>>. I hope I get another chance to do it again in the future!" He smiles warmly and leaves the room.'
  273. *nl
  274. 'Looking over at the desk, you see a wad of cash laying there. You rush over and when you finish counting, you realize that it''s <<actpayfin>> <b>₽</b>!'
  275. '<i>Holy crap! Acting is some serious money!</i>'
  276. casting = 1
  277. room = 0
  278. act'Leave':gt'talent_agency','end'
  279. end
  280. end
  281. end
  282. end
  283. end
  284. end
  285. end
  286. end
  287. end
  288. end
  289. end
  290. act '"Okay."':
  291. minut += 5
  292. *clr
  293. cla
  294. '<center><video autoplay loop src="images/locations/city/citycenter/photo/fullstrip.mp4"></video></center>'
  295. 'Remembering that the shoot requires you to be fully naked, you start to strip down'
  296. gs 'clothing', 'strip'
  297. gs 'underwear', 'remove'
  298. if pcs_inhib < 50:
  299. 'Mr. Yanovich makes no move to leave the room as you shyly take off all your clothes and awkwardly stand naked before him.'
  300. 'He stares appreciatively at your nude body.'
  301. if prcptn_lvl >= 30:'A hard bulge starts to form in the crotch of his trousers.'
  302. *nl
  303. '"You have a beautiful body Miss <<$pcs_lastname>>..."'
  304. '"Uhm... ah... Thank you Mr. Yanovich..." you stammer.'
  305. '"Right then, let''s go!"'
  306. act '"Wait! What are you-!"':
  307. *clr
  308. cla
  309. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/front.jpg"></center>'
  310. 'He suddenly grabs you by the arm and leads you out of the room, leaving your clothes behind. He walks you straight through the populated lobby of the talent agency. You do your best to cover your face in embarassment but it''s hard with only one hand and you blush furiously as Mr. Yanovich pulls you right out the front door and into the back seat of a car.'
  311. 'Once inside the car, he gets on a radio and says, "Alright, we''ve got Miss <<$pcs_lastname>> here, naked and ready in the car. Let''s move out."'
  312. act'"Move out?"':
  313. minut += 30
  314. *clr
  315. cla
  316. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/down.jpg"></center>'
  317. '"Move out?" you ask, trying to stay away from the windows as much as possible. "Where are we going?"'
  318. 'Mr. Yanovich starts the car and says to you, "This is not an ideal location to shoot. We have a particular street in mind so we''re going to go there."'
  319. act'Continue':
  320. minut += 45
  321. *clr
  322. cla
  323. '<center><img <<$set_imgh>> src="images/locations/city/island/island.jpg"></center>'
  324. 'After some driving, they park on a side street and you see the camera crew get out of a van behind your car and begin to set up.'
  325. *nl
  326. 'Mr. Yanovich stays in the car with you and very professionally and efficiently directs you on where the cameras will be, what pace you should walk at, where you should look, and when. His professional demeanor is actually quite calming to you, helping you to settle down and get ready for what''s about to come next.'
  327. *nl
  328. '"Alright <<$pcs_lastname>>. It''s time."'
  329. 'Your heart starts to pound inside your chest as nervousness takes hold again. You''re going to have to walk down the street naked after all!'
  330. act'Do it':
  331. minut += 1
  332. *clr
  333. cla
  334. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts1.mp4"></video></center>'
  335. 'With a deep breath, you open the car door and step out. Gusts of wind blow, chilling your naked body. An aid quickly directs you to the marked spot, shuts the car door, and rushes to get out of frame.'
  336. *nl
  337. 'The camera is directly in front of you. You focus with all your might, concentrating on getting it right in one go.'
  338. '<i>Whew... Just like normal modelling. No different. Calm... Calm... You can do this...</i>'
  339. act'Action!':
  340. *clr
  341. cla
  342. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts2.mp4"></video></center>'
  343. 'Mr. Yanovich points at you and says "Action!"'
  344. 'You start to stride forward and the cameraman moves backwards in sync. People turn their heads at you and staring at your nudity as you step past.'
  345. 'Just in time, you remember to glance at the secondary camera parked across the street like it says in the script.'
  346. 'It seems to take forever to walk down this short road but you can do nothing except try your best to maintain composure.'
  347. act'Cut!':
  348. *clr
  349. cla
  350. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts3.mp4"></video></center>'
  351. 'At last, you''ve taken the final step and made it past the checkpoint. Another aid is there and you gratefully rush into the gloriously warm blanket she holds and wraps your naked body in it.'
  352. 'Mr. Yanovich and others are huddled around a monitor, examining the footage.'
  353. '"Amazing!" he exclaims. "A true one-take-wonder! Excellent work here Miss <<$pcs_lastname>>! Excellent work! That''s all we need from you today, we''ll take you back to Aurora and you can get changed back into your clothes.'
  354. act'...':
  355. minut += 30
  356. *clr
  357. cla
  358. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/room.jpg"></center>'
  359. 'You get in the car and head back to Aurora. When you get there, Mr. Yanovich leads you back through the doors and into the same interview room you met him in. On the way there, you don''t feel as embarrassed as you did before. In fact, you feel quite confident and strong. You just walked down a busy street completely nude! You should be proud of yourself! What''s walking through a lobby with other actresses?'
  360. act'Dress':
  361. minut += 5
  362. *clr
  363. cla
  364. gs 'underwear', 'wear'
  365. gs 'stat'
  366. '<center><video autoplay loop src="images/locations/city/citycenter/photo/dress.mp4"></video></center>'
  367. gs 'clothing', 'wear_last_worn'
  368. actpayfin = (4000 + (pcs_mdlng * 25) + (pcs_apprnc * 2) + (pcs_exhibtion * 3)) * 3
  369. 'You change back into your clothes while Mr. Yanovich does something at the desk.'
  370. 'Just before you finish dressing, Mr. Yanovich says, "It was a pleasure working with you Miss <<$pcs_lastname>>. I hope I get another chance to do it again in the future!" He smiles warmly and leaves the room.'
  371. *nl
  372. 'Looking over at the desk, you see a wad of cash laying there. You rush over and when you finish counting, you realize that it''s <<actpayfin>> <b>₽</b>!'
  373. '<i>Holy crap! Acting is some serious money!</i>'
  374. inhib_exp += 20
  375. casting = 1
  376. room = 0
  377. act'Leave':gt'talent_agency','end'
  378. end
  379. end
  380. end
  381. end
  382. end
  383. end
  384. end
  385. end
  386. else
  387. 'You confidently strip down in front of Mr. Yanovich, not bothered in the slightest by his presence.'
  388. 'He stares appreciatively at your nude body.'
  389. if prcptn_lvl >= 30:'A hard bulge starts to form in the crotch of his trousers.'
  390. *nl
  391. '"You have a beautiful body Miss <<$pcs_lastname>>..."'
  392. '"Thank you very much Mr. Yanovich," you say unabashedly.'
  393. '"Right then, let''s go!"'
  394. act '"Leave"':
  395. *clr
  396. cla
  397. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/front.jpg"></center>'
  398. 'He opens the door and you follow him back through the lobby, leaving your clothes behind in the interview room. A few people whisper and glance at you as you walk past, but you don''t mind too much. Mr. Yanovich leads you right out the front door and into the back seat of a car.'
  399. 'Once inside the car, he gets on a radio and says, "Alright, we''ve got Miss <<$pcs_lastname>> here, naked and ready in the car. Let''s move out."'
  400. act'"Move out?"':
  401. minut += 30
  402. *clr
  403. cla
  404. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/down.jpg"></center>'
  405. '"Move out?" you ask. "Where are we going?"'
  406. 'Mr. Yanovich starts the car and says to you, "This is not an ideal location to shoot. We have a particular street in mind so we''re going to go there."'
  407. act'Continue':
  408. minut += 45
  409. *clr
  410. cla
  411. '<center><img <<$set_imgh>> src="images/locations/city/island/island.jpg"></center>'
  412. 'After some driving, they park on a side street and you see the camera crew get out of a van behind your car and begin to set up.'
  413. *nl
  414. 'Mr. Yanovich stays in the car with you and very professionally and efficiently directs you on where the cameras will be, what pace you should walk at, where you should look, and when. You listen diligently and get ready for what''s about to come next.'
  415. *nl
  416. '"Alright <<$pcs_lastname>>. It''s time."'
  417. act'Do it':
  418. minut += 1
  419. *clr
  420. cla
  421. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts1.mp4"></video></center>'
  422. 'With a deep breath, you open the car door and calmly step out. Gusts of wind blow, chilling your naked body. An aid quickly directs you to the marked spot, shuts the car door, and rushes to get out of frame.'
  423. *nl
  424. 'The camera is directly in front of you. You focus with all your might, concentrating on getting it right in one go.'
  425. '<i>Calm... Professional... Do this right and your actress career is going to take off!</i>'
  426. act'Action!':
  427. *clr
  428. cla
  429. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts2.mp4"></video></center>'
  430. 'Mr. Yanovich points at you and says "Action!"'
  431. 'You start to stride forward and the cameraman moves backwards in sync. People turn their heads at you and staring at your nudity as you step past.'
  432. 'You glance at the secondary camera parked across the street like you were directed to.'
  433. 'The walk itself doesn''t feel very long. You''re very confident in yourself and your body and this type of thing isn''t anything you haven''t done before so you aren''t particularly bothered by the glances and stares.'
  434. act'Cut!':
  435. *clr
  436. cla
  437. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/commercial_bts3.mp4"></video></center>'
  438. 'At last, you''ve taken the final step and made it past the checkpoint. Another aid is there and you step into the gloriously warm blanket she holds and wraps your naked body in it.'
  439. 'Mr. Yanovich and others are huddled around a monitor, examining the footage.'
  440. '"Amazing!" he exclaims. "A true one-take-wonder! Excellent work here Miss <<$pcs_lastname>>! Excellent work! That''s all we need from you today, we''ll take you back to Aurora and you can get changed back into your clothes."'
  441. act'...':
  442. minut += 30
  443. *clr
  444. cla
  445. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/room.jpg"></center>'
  446. 'You get in the car and head back to Aurora. When you get there, Mr. Yanovich leads you back through the doors and into the same interview room you met him in. You feel quite proud of yourself, having done the shoot in a single take. Maybe you''re cut out to be an actress after all!'
  447. act'Dress':
  448. minut += 5
  449. *clr
  450. cla
  451. gs 'underwear', 'wear'
  452. gs 'stat'
  453. '<center><video autoplay loop src="images/locations/city/citycenter/photo/dress.mp4"></video></center>'
  454. gs 'clothing', 'wear_last_worn'
  455. actpayfin = (4000 + (pcs_mdlng * 25) + (pcs_apprnc * 2) + (pcs_exhibtion * 5)) * 3
  456. 'You change back into your clothes while Mr. Yanovich does something at the desk.'
  457. 'Just before you finish dressing, Mr. Yanovich says, "It was a pleasure working with you Miss <<$pcs_lastname>>. I hope I get another chance to do it again in the future!" He smiles warmly and leaves the room.'
  458. *nl
  459. 'Looking over at the desk, you see a wad of cash laying there. You rush over and when you finish counting, you realize that it''s <<actpayfin>> <b>₽</b>!'
  460. '<i>Holy crap! Acting is some serious money!</i>'
  461. casting = 1
  462. room = 0
  463. act'Leave':gt'talent_agency','end'
  464. end
  465. end
  466. end
  467. end
  468. end
  469. end
  470. end
  471. end
  472. end
  473. end
  474. end
  475. end
  476. if $ARGS[0] = 'wrong_room':
  477. *clr
  478. cla
  479. interview = rand(1,21)
  480. if interview = 1:
  481. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/wrong/1.jpg"></center>'
  482. 'You enter the room and see a girl having a conversation with a director or producer. You suddenly realize that you''ve gone into the wrong room and back out, apologizing.'
  483. act 'Leave':gt'talent_agency','hallway'
  484. elseif interview = 2:
  485. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/wrong/2.jpg"></center>'
  486. 'You enter the room and see a girl sitting down on a couch while a director or producer is shuffling notes on his desk. You suddenly realize that you''ve gone into the wrong room and back out, apologizing.'
  487. act 'Leave':gt'talent_agency','hallway'
  488. elseif interview = 3:
  489. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/wrong/3.jpg"></center>'
  490. 'You enter the room and stop dead in your tracks as you see a girl completely naked except for a pair of panties.'
  491. *nl
  492. 'You rush back out the door shouting, "Wrong room! Sorry!" and slam it shut behind you.'
  493. act 'Leave':gt'talent_agency','hallway'
  494. elseif interview = 4:
  495. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/wrong/4.jpg"></center>'
  496. 'You enter the room and stop dead in your tracks when you see a girl standing completely naked. The man in the room shouts at you, "Hey! What do you think you''re doing here?! Get the fuck out!"'
  497. 'You rush back out the door shouting, "Wrong room! Sorry!" and slam it shut behind you.'
  498. act 'Leave':gt'talent_agency','hallway'
  499. elseif interview = 5:
  500. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/5.mp4"></video></center>'
  501. 'You open the door to the interview room and are met with a scene of a girl riding a man''s cock like a mechanical bull.'
  502. *nl
  503. '"Come on! You''re going to have to go faster if you want to get this job!" the man growls.'
  504. *nl
  505. '"Ahh! Ahhh!! AHHHH!!!"'
  506. *nl
  507. 'The girl only screams more as she tries to pick up speed even though she was clearly struggling to keep up with the previous pace. She doesn''t look like she''s very happy.'
  508. *nl
  509. 'Neither of them seem to notice that you entered the wrong room. Seeing you''ve made a mistake and not wanting to get caught, you leave quietly, trying to close the door as silently as you can.'
  510. act 'Leave':gt'talent_agency','hallway'
  511. elseif interview = 6:
  512. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/6.mp4"></video></center>'
  513. 'You open the door to the interview room and see a girl on all fours on the couch being pummeled from behind by a man. You and the girl instantly make eye contact and her expression immediately becomes terrified.'
  514. '"Oh my God!" she screams.'
  515. 'The man looks up from his business and sees you. He shouts at you, "What the fuck are you doing in here! Get out!" continuing to pound the girl even though she''s struggling to get off his dick now.'
  516. 'You run out the door, slamming it behind you. Through the barrier you can hear the girl still panicking.'
  517. *nl
  518. '"No, wait! Stop! No one was supposed to know!"'
  519. '"Shut the fuck up girl. No one is going to find out! Now if you still want this job, stop struggling and take this creampie!'
  520. '"That wasn''t part of the deal! I''m not on birth control!"'
  521. '"You should have thought of that before you decided to become an actress!"'
  522. act 'Leave':gt'talent_agency','hallway'
  523. elseif interview = 7:
  524. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/7.mp4"></video></center>'
  525. 'You open the door and see an upset looking girl bent over the desk as the man behind her slowly pulls his cock out from her pussy. You freeze in shock and then swiftly shut the door without a word but through it you can hear voices.'
  526. '"Congratulations on landing the part sweetie. I just hope you what you''re role is going to be moving forward."'
  527. act 'Leave':gt'talent_agency','hallway'
  528. elseif interview = 8:
  529. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/8.mp4"></video></center>'
  530. 'You open the door and are shocked to see a young girl on the couch while two men rhythmically piston her ass and pussy.'
  531. '"Ahh! This ass is tight! You should try it!"'
  532. '"Plenty of time for that later. We''ll have the whole of production now that we''ve found our perfect star."'
  533. *nl
  534. 'The girl says nothing but soft moans and grunts, although it doesn''t seem like she''s enjoying herself.'
  535. 'None of them seem to notice that you even entered the room. Seeing you''ve made a mistake and not wanting to get caught, you leave quietly, trying to close the door as silently as you can.'
  536. act 'Leave':gt'talent_agency','hallway'
  537. elseif interview = 9:
  538. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/wrong/9.jpg"></center>'
  539. 'You open the door to see a man with his cock hanging out and a girl kneeling in front of him with cum all over her face.'
  540. '"Good job girl. Now lick me clean and we''ll talk about you getting this role."'
  541. *nl
  542. 'She obediently handles his cock with care as she gives it a thorough tongue bath with no enthusiasm whatsoever.'
  543. 'As you shut the door quietly, you hear the man say, "Don''t forget to swallow missy..."'
  544. act 'Leave':gt'talent_agency','hallway'
  545. elseif interview = 10:
  546. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/wrong/10.jpg"></center>'
  547. 'You open the door and freeze in shock as right in front of you is the face of a girl being fucked violently over a desk. Her hair is being held in a tight fist behind her head as the man uses it as extra leverage to pull her farther onto his cock.'
  548. *nl
  549. 'The man looks up at you and says, "I think you''ve got the wrong room darling," not pausing his fucking for even a moment.'
  550. '"Ugh! Ugh! Ugh! Ugh!" The girl doesn''t even seem to notice you''re in front of her, grunting every time his cock slams into her. It looks like she''s not focused on anything and her face appears to be one of tolerance rather than enjoyment. '
  551. *nl
  552. '"Uhm, ah- sorry." You close the door as casually as possible, still hearing the slapping of flesh and grunting after it already clicked shut.'
  553. act 'Leave':gt'talent_agency','hallway'
  554. elseif interview = 11:
  555. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/wrong/11.jpg"></center>'
  556. 'You open the door and see a smiling girl with cum dripping down her face and a man who''s clearly the one who just put it there.'
  557. '"Sooooo Mr. Schneider? Do you think I have what it takes to become an actress?" the smiling girl says in a sing song voice.'
  558. '"Oh, I think we can find a part for such a silver tongue in our production..." he says with a grin.'
  559. *nl
  560. '"Maybe even a leeaaad paaaart?" she says, putting his cock back in her mouth and pushing her lips to the base.'
  561. '"Ohhhh... I- <i>ooooohhhhhhh...</i>" the man loses his train of thought an drifts into ecstasy while the girl does an impressive trick of swallowing while his cock is already in her throat, massaging it with her esophagus.'
  562. *nl
  563. '"Wrong... room..." you mumble and close the door. Neither of them pay any attention to you.'
  564. act 'Leave':gt'talent_agency','hallway'
  565. elseif interview = 12:
  566. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/12.mp4"></video></center>'
  567. 'You open the door and suddenly stop as you see a girl leaning over a desk and deeply enjoying the cock of the man behind her.'
  568. '"How about these moves mister?" she giggles as she begins to wildly gyrate her hips.'
  569. '"Goodness gracious girl! You''re so tigh- Ugh! I''m gonna cum!"'
  570. *nl
  571. 'Hearing this, she smiles wide and picks up speed. "If you cum inside I expect a larger salary!"'
  572. '"You... Got it!" the man says, abruptly grabbing her by the hips and thrusting so hard you see her feet come off the ground.'
  573. 'Neither of them pay attention to you as you close the door like nothing happened.'
  574. act 'Leave':gt'talent_agency','hallway'
  575. elseif interview = 13:
  576. '<center><img <<$set_imgh>> src="images/locations/city/citycenter/aurora/interview/wrong/13.jpg"></center>'
  577. 'You open the door and are greeted with the face of an unhappy looking girl being fucked over a desk.'
  578. 'She''s gritting her teeth and bearing with it and you can hear her muttering to herself, "Rich and famous... Rich and famous... Just let him fuck you and you''ll be rich and famous..."'
  579. 'The man smiles, "Don''t forget girl, you''re letting me fuck you day <i>and</i> night for this. I get a key to your apartment or you don''t get the part!"'
  580. 'Looking up, he suddenly sees you standing there. "Hey! What are you doing?! Get the fuck out!"'
  581. '"Yes sir! Sorry sir!" you squeak and slam the door shut.'
  582. act 'Leave':gt'talent_agency','hallway'
  583. elseif interview = 14:
  584. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/14.mp4"></video></center>'
  585. '"How long do we have to keep doing this?"'
  586. 'You start to open the door when you hear words and realize you''ve got the wrong room. You''re about to close it completely when you peer through the crack and see two naked girls lying on the sofa half-heartedly playing with themselves. There is a man leaning back on the desk in front of them, jacking himself off.'
  587. *nl
  588. '"You do it until I tell you to stop! If you want to get both of the sister roles, I need to see some sisterly love... Now you, get on your knees and lick her pussy while I fuck your ass. And you! Don''t even think about taking that finger off your clit!"'
  589. 'Having seen enough, you shut the door silently and go on your way.'
  590. act 'Leave':gt'talent_agency','hallway'
  591. elseif interview = 15:
  592. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/15.mp4"></video></center>'
  593. 'You open the door just in time to see a girl on her knees in front of a man and jet of cum spurt from his cock to hit her square in the face.'
  594. '"Sorry! Wrong room!" and shut the door fast behind you.'
  595. act 'Leave':gt'talent_agency','hallway'
  596. elseif interview = 16:
  597. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/16.mp4"></video></center>'
  598. 'You open the door and see a cheerful looking girl with fresh cum and a bright smile on her face.'
  599. '"... and if you want this part I get full access to your body to fuck whenever I please and you must obey every order I give you. Are you happy with that?"'
  600. 'She gives a jovial double thumbs up and smiles even brighter.'
  601. *nl
  602. '"Good, now get up and sign here. We''ll get you keys to my house after and your first order will be to go home with my cum on your face."'
  603. '"Yes mister!"'
  604. *nl
  605. 'You quietly close the door and pretend like you saw nothing.'
  606. act 'Leave':gt'talent_agency','hallway'
  607. elseif interview = 17:
  608. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/17.mp4"></video></center>'
  609. 'Opening the door, the very first thing you see is a girl choking on cock.'
  610. 'The man dick is deep into her throat and he says, "Ahh yes. You have the best throat in the business you know that?"'
  611. '"Mmm! Mmm!"'
  612. *nl
  613. 'It looks like his "compliment" has motivated her to try and increase the pleasure he''s receiving.'
  614. '"Ugh! I''m cumming!"'
  615. *nl
  616. 'At his notice, she forces herself as far onto his cock as she can manage and holds herself there. Moments later you see her neck muscles swallowing as he cums directly down her throat.'
  617. 'Now seems like a good time to make your escape.'
  618. act 'Leave':gt'talent_agency','hallway'
  619. elseif interview = 18:
  620. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/18.mp4"></video></center>'
  621. 'You open the door and see a girl diligently polishing a man''s cock with her lips.'
  622. '"Yeah... Just like that you little slut..."'
  623. 'She takes his dick out of her mouth and complains, "But I''m not a slut if I only do it for you Mr. Schneider!"'
  624. *nl
  625. 'He shoves his cock back in her mouth to cut her off short. "Shut up whore! You take dick for money and favors! That makes you a fucking slut!"'
  626. 'She moans in a pouty tune as you shut the door, not wanting to get caught up in this mess.'
  627. act 'Leave':gt'talent_agency','hallway'
  628. elseif interview = 19:
  629. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/19.mp4"></video></center>'
  630. 'You open the door and see a worried looking girl doing her very best to give a man a blowjob.'
  631. '"Come now, you have to do better than that if I''m going to hire you. Keeping your pussy off limits makes your job this much harder you know. I''ll need a velvet mouth and the best blowjob I''ve ever had if I''m even going to consider hiring you without access to that virgin pussy."'
  632. *nl
  633. 'The girl''s distress increases and she tries even harder. Her skill looks a bit subpar to be honest, but that''s no time for this!'
  634. 'You sneak backwards and return to the hallway quietly.'
  635. act 'Leave':gt'talent_agency','hallway'
  636. elseif interview = 20:
  637. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/20.mp4"></video></center>'
  638. 'You open the door and see a girl in glasses giving what looks like a loving blowjob to the man inside with her.'
  639. '"Yeah girl... just like that..."'
  640. 'The girl lets it pop out of her mouth for a second as she turns to look at you.'
  641. *nl
  642. '"Excuse me? This is <i>my</i> audition here? Go to your own room you fucking slut," she says before going back to working on the man''s cock.'
  643. 'Your mouth hangs open in offence as neither of them pay any more attention to you.'
  644. '<i>Who are you calling a slut when you''re the one blowing a guy for your "audition?"</i> you think to yourself as you shut the door.'
  645. act 'Leave':gt'talent_agency','hallway'
  646. elseif interview = 21:
  647. '<center><video autoplay loop src="images/locations/city/citycenter/aurora/interview/wrong/21.mp4"></video></center>'
  648. 'You open the door and see a girl being furiously fucked by three guys. Or is it the other way around?'
  649. *nl
  650. '"Ahh, yes! I love it when we get ready made sluts like this!"'
  651. '"Yeah man, makes it so much easier when they propose fucks for favors instead of us having to extort them into it."'
  652. '"I wish she was a little tighter though."'
  653. *nl
  654. 'The girl obviously says nothing as all of her holes are currently busy being stuffed by cocks.'
  655. 'Seriously confused, you turn around and close the door behind you.'
  656. act 'Leave':gt'talent_agency','hallway'
  657. end
  658. end
  659. --- talent_agency ---------------------------------